By Lincoln Geraghty

American technology Fiction movie and tv offers a severe heritage of overdue twentieth Century SF including an research of the cultural and thematic issues of this well known style. technological know-how fiction movie and tv have been at first encouraged through the vintage literature of H.G. Wells and Jules Verne. the capability and fears born with the Atomic age fuelled the recognition of the style, upping the stakes for either know-how and apocalypse. From the chilly conflict via to America's present battle on Terror, technological know-how fiction has proved a refined motor vehicle for the hopes, fears and preoccupations of a kingdom at war.The definitive advent to American technological know-how fiction, this publication can be the 1st research to investigate SF throughout either movie and television. all through, the dialogue is illustrated with serious case reports of key movies and tv sequence, together with The Day the Earth Stood nonetheless, Planet of the Apes, famous person Trek: the subsequent new release, The X-Files, and Battlestar Galactica.

Show description

Read Online or Download American Science Fiction Film and Television PDF

Similar film & television books

Contemporary Hollywood Stardom

Taking account of the foremost advancements within the box of superstar reviews, this booklet explores the political economic system of stardom, questions of functionality, the impact on stardom of convergence among the movie and different rest industries, and the position of audiences. The ebook combines a evaluation of present tendencies with case stories of person stars permitting scholars and researchers to widen their wisdom of the sector and discover new methods of impending the celebrity phenomenon.

Gossip, Letters, Phones: The Scandal of Female Networks in Film and Literature

Even supposing girl conversation networks abound in lots of contexts and feature obtained a great degree of severe scrutiny, no learn has addressed their precise value inside of narrative tradition writ huge. Filling this conspicuous hole, Ned Schantz provides a full of life exploration of the phenomenon, resituating novelistic tradition as principal while he levels throughout media and the myriad applied sciences that attend them.

The Corporeal Image: Film, Ethnography, and the Senses

During this booklet, David MacDougall, one of many best ethnographic filmmakers and picture students of his iteration, builds upon the guidelines from his extensively praised Transcultural Cinema and argues for a brand new notion of ways visible photos create human wisdom in an international during which the price of seeing has usually been eclipsed by way of phrases.

The Cult of Ivan the Terrible in Stalin's Russia (Studies in Russian and East European History)

Ivan IV, the 16th-century tsar infamous for his reign of terror, turned an not likely nationwide hero within the Soviet Union in the course of the Nineteen Forties. This ebook lines the improvement of Ivan's optimistic photo, putting it within the context of Stalin's crusade for patriotism. as well as historians' photographs of Ivan, the writer examines literary and creative representations, together with Sergei Eisenstein's recognized movie Ivan the negative, banned for its depiction of the tsar which used to be interpreted as an allegorical feedback of Stalin.

Additional info for American Science Fiction Film and Television

Example text

However, Dr. Strangelove clearly combined elements of the nuclear theme and satirical form, offering audiences different perspectives on America’s national agenda. Strangely, for a period in American history that is most characterised by social conflict, war and suffering, science fiction films largely neglected the more extreme visions of contemporary and future society (Baxter 1972: 140); instead, the genre can perhaps be viewed as being in a state of flux as it struggled to attract audiences tired of alien invasion narratives and more impressed with the colourful action adventure serials now appearing on television.

It is at this point that the audience is thrust four million years into the future, from primitive Earth to 2001, where humans have mastered space travel and we now inhabit large space stations and the Moon. America and the Soviet Union still maintain their Cold War in this 2001, yet in their attempts to achieve technological superiority all sense of human instinct and emotion have been lost. For Mark Crispin Miller, this part of the film emphasises Kubrick’s use of antimyth, where human technological achievement has served only to stifle and suffocate the evolutionary process instigated by the first black monolith: ‘In 2001, in other words, there is too much science, too much made, the all-pervasive product now degrading us almost as nature used to do’ (Miller 1994: 19).

However, with the disruption that the war brought, husbands were displaced in both the home and at work by their wives; this led to a sense of masculinity in crisis as the traditional male breadwinning role became increasingly obsolete. Thus, like the male protagonists of popular books such as Sloan Wilson’s The Man in the Gray Flannel Suit (1955) and William Whyte’s The Organization Man (1956), Miles is a man caught in a suburban nightmare, unable to escape the encroaching conformity symbolized by the white picket fences and mundane daily routine of work and family responsibility (see Castronovo 2004).

Download PDF sample

Rated 4.15 of 5 – based on 21 votes